Emu Woman, 1988/89, 92 x 61 cm, Courtesy The Holmes à Court Collection
Aboriginal Art Directory | 18.03.08
Author: John McDonald
From the very first time he laid eyes on the work of Emily Kame Kngwarreye (c.1910-96), in the 1998 retrospective at the Queensland Art Gallery, Akira Tatehata knew that it was something special. At that time, Tatehata was a curator at the National Museum of Art in Osaka, Japan’s second-biggest city. His career path took him to the university, where he became a professor, then back to the Museum, as director. Reserved and scholarly, with dark-rimmed glasses and an unruly forelock that keeps tumbling over his forehead, Mr. Tatehata does not appear to be a passionate man. Yet from his first encounter with Emily’s work he conceived a burning desire to hold a show in Japan.
Read more at the Aboriginal Art Directory feature section.
URL: http://www.aboriginalartdirectory.com/news/feature/emily-kame-kngwarreye-in-osaka.php
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Gallery: Aboriginal Art Directory
Contact: Aboriginal Art Directory
Email: info@aboriginalartdirectory.com
Big Yam, 1996, 4 panels each 270 x 159cm, National Gallery of Victoria
Emily Kame Kngwarreye (Kam Kngwarray), Big Yam Dreaming 1995, synthetic, polymer paint on canvas, 291.1 x 801.8 cm, National Gallery of Victoria, Melbourne © Emily Kame Kngwarreye.
Gallery: Aboriginal Art Directory
Artists: Emily Kame Kngwarreye
News Tags: canberra | emily kame kngwarreye | national art centre | national museum of art | national museum of australia | osaka | tokyo
News Categories: Feature
Comments (1)
Going to the Canberrra National Gallery to see Emily Kame Kngwarreye's work has been one of the most life-changing events of my life. Currently, I'm on an ACU clinical placement @ Maari Ma Aboriginal Health Centre in Broken Hill to broaden my experience in cross-cultural nursing. Kind Regards. Helmut
Posted by Helmut Gensen | September 3, 2009 5:03 PM