Posted by Aboriginal Art Directory | 04.02.20
Update: Parrtjima has been rescheduled to 11-20 September 2020, in light of the measures the Federal Government has introduced to slow down the spread of COVID-19. If you're not busy visiting the fire-affected tourist destinations in Australia - or if...» Read More
Posted by Jeremy Eccles | 25.02.20
There was a time when Indigenous performance was anathema to the market. Worthy, but not exactly a fun night out! Two Aboriginal festival directors – Stephen Page in Adelaide and Wesley Enoch in Sydney – have toyed with First Nations...» Read More
Posted by Jeremy Eccles | 02.03.20
The recent reopening of the Hyde Park Barracks in central Sydney was greeted as a great Indigenous event for the 2500 square metre courtyard was transformed (briefly) by Wiradjuri artist Jonathan Jones into a First Nations statement. Some optimist even...» Read More
Posted by Jeremy Eccles | 03.03.20
Who will emerge from the next couple of weeks as the dominant figure – Emily Kngwarreye or Clifford Possum? This pair of the greatest, now-dead Aboriginal artists could not have imagined such a competition; but circumstances in New York and...» Read More
Posted by Jeremy Eccles | 06.03.20
A surprising article in 'The Australian' recently told me that the independent federal advisory body, Infrastructure Australia (IA) was telling the government that an investment in Indigenous art facilities was an excellent idea. And, as the federal government is currently...» Read More
Posted by Aboriginal Art Directory | 12.03.20
Time is running out to enter one of Australia's longest-running and most prestigious (and unpredictable) art prizes, the Blake Prize. Open to artists exploring the wider experience of spirituality, religion and belief, the Blake Prize engages artists nationally and internationally....» Read More
Posted by Jeremy Eccles | 13.03.20
Laurie Nilsen, the father of the barbed-wire emu, has died on March 6th at the age of 66 from cancer after a 40 year career in art. That is currently being celebrated with a retrospective at his Fireworks Gallery in...» Read More
Posted by Jeremy Eccles | 19.03.20
Biennales come and go and are often remarkably forgettable. Every second artist – whatever their cultural roots – seems to live in Berlin. The sort of globalisation that has brought us the coronavirus invariably flavours each show – art passed...» Read More
Posted by Jeremy Eccles | 22.03.20
As the NT Government sensibly closes off access to remote Indigenous communities in response to the Coronavirus crisis, the foresightful academic, Jon Altman, working with Francis Markham of the ANU is concerned for the financial consequences as well as the...» Read More
Posted by Jeremy Eccles | 26.03.20
I recently encouraged online art buying directly from community art centres in order to keep the Aboriginal art world from falling in a hole. Here's a splendidly positive example of art centre proactivity in this pandemic world: In the...» Read More
Posted by Jeremy Eccles | 27.03.20
After yesterday's hopeful example of Aboriginal artists in the East Kimberley going 'On Country' to avoid any chance of being exposed to the coronavirus, today offers a potent case of the arts industry standing up for itself - as, so...» Read More
Posted by Jeremy Eccles | 03.04.20
In these troubled times, a good read may be almost as good as a vaccination! And the venerable 84-year old Tom Keneally has pretty much always offered a rattlin' good read over an incredible fifty volumes. Intriguingly, his last two...» Read More
Posted by Jeremy Eccles | 06.04.20
We do need an uplift at this trying time of our lives. First Nations art and its artist creators are no different. So, credits go to Dallas Gold of, as far as I can tell, the still-open Raft Gallery in...» Read More
Posted by Jeremy Eccles | 10.04.20
In the shadows of the A$130 billion JobKeeper funding that emerged from Parliament on Thursday, a tiny amount of $27 million was added for the arts. $7m of that is dedicated to First Nations artists. In a statement that morning,...» Read More
Posted by Jeremy Eccles | 15.04.20
From the Editor in the interests of full disclosure: The Australian Government funds Art Centres, and indeed, Revealed. The actual amounts are listed in a post from last year, Funding for Indigenous Art. The cancellation of the hugely successful 2020...» Read More
Posted by Jeremy Eccles | 16.04.20
Is there anything new under the sun??? I imagine that the late Mumu Muke Williams would have been well aware that there wasn't. And I'm beginning to think likewise having discovered that Williams's very special book – 'Kulinmaya! - 'Keep...» Read More
Posted by Jeremy Eccles | 20.04.20
It's been a trying 3 months for us all – perhaps none more so than the Cairns Indigenous Art Fair, CIAF. In January we learnt: “Following last year’s watershed 10th-anniversary celebration, CIAF will return in July 2020 with a contemporary,...» Read More
Posted by Jeremy Eccles | 23.04.20
It's the time of year for excitement and despair amongst the Indigenous art-making community as the Museum Art Gallery of the NT (MAGNT) announces its selection for the big Telstra National Aboriginal and Torres Strait Islander Art Awards. 67 Aboriginal...» Read More
Posted by Jeremy Eccles | 24.04.20
One of Australia’s most successful Indigenous artists, Mavis Ngallametta, has a wonderful tribute show just opened at the Queensland Art Gallery, a little over a year after she died aged 75. Ngallametta died on her Country, Aurukun, as she had...» Read More
Posted by Jeremy Eccles | 29.04.20
Today it's all about Captain Cook – though it may have been yesterday as the Botany Bay/Kamay Memorial of his landing dates it as 28th April; and, of course, he was but a Lieutenant at the time. But what an...» Read More
Posted by Jeremy Eccles | 07.05.20
Bad news (in a time of almost exclusively bad news); hopes for a law that would have made amendments to the Australian Consumer Law to ban the sale or supply of Indigenous ‘style’ products unless they were produced by or...» Read More
Posted by Jeremy Eccles | 11.05.20
In 1999, a young Daniel Walbidi entered Short St Gallery in Broome. He shyly declared that he lived out at Bidyadanga, a coastal Aboriginal Community 180 kilometres south of Broome, and that he would like to become an artist. Daniel...» Read More
Posted by Jeremy Eccles | 14.05.20
“In doleful monochrome, they seemed so desolate I couldn't bear to look at them. It was a melancholic requiem for the disappeared that reeked of regret without responsibility”. Author Cassandra Pybus is describing photographs of “the last Tasmanians” in Hobart's...» Read More
Posted by Jeremy Eccles | 18.05.20
I celebrated the Cook 250th earlier on this site with a delicately balanced piece attempting to find a line between those that see him as a founding father of contemporary Australia and those who see only the man who claimed...» Read More
Posted by Jeremy Eccles | 20.05.20
Do we have a solution or do we have war in Alice Springs over the long-contended National Aboriginal Art Gallery (NAAG)? The NT Labor Government has finally stamped its feet, in the fighting words of Tourism and Arts Minister, Lauren...» Read More
Posted by Jeremy Eccles | 21.05.20
A fascinating study of 45 years' media coverage of important Indigenous issues, beginning with the Larrakia Petition in 1972, concludes that, at last, “Aboriginal people appear to be effectively shaping the media discourse on Aboriginal issues”. But it's been a...» Read More
Posted by Jeremy Eccles | 27.05.20
The annual recognition of cultural heroes in the Indigenous world took place online tonight as COVID denied the event its usual physical form in the Sydney Opera House. It also took on board the new normal in nomenclature for the...» Read More
Posted by Jeremy Eccles | 31.05.20
No, not Leonardo DiCaprio in Thailand or Ava Gardner 'On the Beach' in Melbourne as the world ends – nothing as exciting as that! Just a blackly hirsute Warwick Thornton on a patch of sand somewhere north of Broome in...» Read More
Posted by Jeremy Eccles | 02.06.20
It is with great sadness that the Vivien Anderson Gallery has announced the passing of Malu Gurruwiwi, custodian of the Banumbirr - Morning Star ceremony. He lived from1942 to 2020 as a proud member of the Galpu and Djapu Clans. ...» Read More
Posted by Jeremy Eccles | 03.06.20
Incredibly this is my 600th report, critique, commentary or essay for Aboriginal Art Directory. It all began in 2007 when the site was set up privately to assist remote art centres enter the digital market for their artists' product. At...» Read More
Posted by Jeremy Eccles | 09.06.20
The Queens Birthday Honours may have hit the headlines for all the wrong reasons – too many politicians going “over and beyond” in backstabbing and power-grabbing, for instance – but it's been a bonza year for remote First Nations artists...» Read More
Posted by Jeremy Eccles | 09.06.20
In a foreshortened and online film festival, the normal Sydney winter feast is a comparatively muted affair this year as a result of the COVID crisis. Sadly, only two First Nations films have made the cut, two docos that tackle...» Read More
Posted by Jeremy Eccles | 19.06.20
Ever wanted to speak just a little of the language of the artists who created your artworks? Or even just to find out what language or languages they do actually communicate in? Well, First Languages Australia has now developed an...» Read More
Posted by Jeremy Eccles | 25.06.20
According to Elders from the art community of Warrmun, supported by the Kimberley Land Council, sites of cultural significance in the East Kimberley have been destroyed by large-scale granite mining operations, despite breaching Section 17 of the Aboriginal Heritage Act...» Read More
Posted by Jeremy Eccles | 26.06.20
Everywhere you turn at this time there's news of some new venture in First Nations fashion. The ladies fashion mags are full of it, the museums are leaping on the bandwagon and now, being Australia, we have to have a...» Read More
Posted by Jeremy Eccles | 02.07.20
"The Art Gallery of NSW has long been recognised for the excellence of its collection of classical bark paintings", noted the AGNSW's then Public Programs Curator, Terence Maloon in 1994; going on to say, "It is also regarded as a...» Read More
Posted by Jeremy Eccles | 08.07.20
The Federal Government has announced $100,000 to support the acquisition of a rare 19th century Murlapaka (also spelt Mulubakka) shield, attributed to the Kaurna people from the Adelaide Plains, by the Art Gallery of South Australia (AGSA). Minister for the...» Read More
Posted by Jeremy Eccles | 15.07.20
Coincidentally, two substantial foreign collections of Aboriginal art have been returned home in COVID-time to be sold at auction. Tonight, online, Deutscher & Hackett offer the Peter and Renate Nahum Collection from London. And on 22 July in Sydney, Bonhams...» Read More
Posted by Jeremy Eccles | 27.07.20
Commandant James Wallis emerged for me – though not perhaps for Mark Dunn,The Convict Valley's author – at the symbolic epicentre of this history. Have you ever heard of him – or of Wallis Plains, named in his honour, also...» Read More
Posted by Jeremy Eccles | 30.07.20
What a year for the women! Major exhibitions are currently on (with serious catalogues) for Mavis Ngallametta (QAG), Nyapanyapa Yunupingu (MAGNT) and Destiny Deacon (NGV); earlier this year Emily Kngwarreye had significant sales in Sydney and New York on the...» Read More
Posted by Jeremy Eccles | 03.08.20
The outstanding philosophical thinker of the Gija people in the East Kimberley, Rusty Peters has died in his 86th year. This long tall, thin and reticent man let his painting do the talking after he joined the Jirrawun group of...» Read More
Posted by Jeremy Eccles | 06.08.20
The inaugural National Indigenous Fashion Awards were handed out last night in Darwin (ie online) courtesy of the Darwin Aboriginal Art Fair (also online), which has been promoting this sub-branch of First Nations art for a few years now. And...» Read More
Posted by Jeremy Eccles | 06.08.20
For the first time in umpteen years, I haven't been in the balmy night in Darwin attending the opening of the Salon des Refuses - Aboriginal art's response to the 19th Century French Impressionists' rebellion against rejection by 'official' art...» Read More
Posted by Jeremy Eccles | 07.08.20
“Thank you mob in Darwin for this business. Thank you. At last. I feel proud. I’ve been trying all my life, all the time second, fourth, last, sometimes nothing. But I got it now, today. My day, my time this...» Read More
Posted by Jeremy Eccles | 12.08.20
The two biggest First Nations art fairs are both either on or about to be. So, if you've a sense that these devastating times are just the right ones to support Indigenous artists in the most direct way, then this...» Read More
Posted by Jeremy Eccles | 24.08.20
The online art fairs are over for 2020. Still no sales figures from either Darwin (See Below) or Cairns though an examination of their websites suggests that sales at the lower price end were pretty good, but a $2000 barrier...» Read More
Posted by Jeremy Eccles | 25.08.20
The Art Gallery of South Australia has announced that this year’s Tarnanthi Festival, its annual celebration of contemporary Aboriginal and Torres Strait Islander art, will highlight how the creativity of First Nations women artists forms a vital cultural link in...» Read More
Posted by Jeremy Eccles | 26.08.20
Many Australians are sharply divided as to whether they prefer more traditional genres of art like landscapes or more contemporary and abstract visual forms. And these divisions relate to differences in age, class and education. But Aboriginal art bucks this...» Read More
Posted by Jeremy Eccles | 27.08.20
Just three years from its last iteration, the National Gallery of Australia has announced a new National Indigenous Art Triennial – its 4th – though it won't actually occur until the end of next year. As the others occurred in...» Read More
Posted by Jeremy Eccles | 02.09.20
The Ministers for the Arts and Indigenous Australians this morning jointly announced that they will develop an Indigenous VisuaI Art Action Plan to support Aboriginal and Torres Strait Islander artists, and their cultural and economic interests. Yet more consultation, you...» Read More